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The story goes like this.Rohini is a cardiac surgeon who also runs a welfare home for women.She is dealing with the mystery behind her husband's death.Things go haywire when the girls at her welfare home is kidnapped by some people and she is on the run for bringing them back.On the other hand,Naveen is on his way to meet his sister only to witness her kidnapped right before his eyes.At some point,these two characters meet and together they set out to recover the girls.clearly the storyline bares some similarities to Taken about the kidnapping but it ends there.The movie also shows how the so called police and law enforcers shows its back to common people when there is a problem Shobana returns to the silver screen with an electrifying performance as the bold Rohini.Although she did a small role in Sagar alias jacky,it was rather unwanted.She proves again that she is one of the best heroines in malayalam.The media,which has been giving cheap publicity to those heroines whose expressions makes you just throw up seems to have forgotten about the veteran actress.The film did require an actress of her calibre and she just provide that.Dhyan gives an okay performance even though in some scenes like the one he shouts at the policeman went slightly overboard.His action scenes were good.Rest of the cast doesn't have much to do.Most of them are not familiar figures in malayalam.Despite being a malayalam movie,malayalam dialogues are few.Subtitles are provided for Hindi dialogues though.
Camera work was rather irritating at times due to the camera shakes.Soundtrack was refreshing with teerathe neelune track at the titles and Thaazhvaram song near the end.Background music was in fact a part of teerathe neelune track which worked well at parts.
Script has some flaws but direction has been able to overcome that to an extent.The first half was pretty racy and enthralling.The second half however slows down a bit even though its engaging towards the end.There are some things in store at the climax for the sequel.
Thira is not a must watch or magnificent flick.Its worth a try for those who like this genre.
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Premises are dark, and the theme brutal, as women trafficking forms the crux of the film; where the lowly protagonists cross swords with the powerful giants in shadows. The versatile veteran Shobhana leads the pack of actors with an inspiring portrayal of Dr. Rohini Pranab, while the débutant Dhyan pleases with a mature performance, that was unexpectedly and most surprisingly not lost in the shadows of a much acclaimed actress. Casting is superb with generous array of new faces, that fits even little roles like a glove. The camera, the colors and the music (Splendid work by Shaan Rahman) blends seamlessly with the film adding to the atmosphere.
On the downside the film though fast paced, is merely a point to point chase with directions at each point for the next destination; and barring a semblance of a curve; lacks genuine twists or turns. On a lesser note, Shobhana's hoarse whispering and exhalations do tend to tire ones ear towards the end.
The brilliant screenplay and exemplary direction carries off the movie with aplomb and the ones who looked in for a taut thriller are left savoring a chilling recipe with content.
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'Maayi' is the name of the lead character who's a independent strong women. A humanitarian, a cardiologist and a wife who fights to bring down the guys who were responsible for her husband's death. Her character is one of the main things to watch out for in the film. The role of the other main character 'Navin' is about a guy who has lost his sister in broad daylight starts searching and proves that he would go to any extent to save her. His acting was acceptable and nothing seemed negative.
The relation between the two lead characters is very neatly portrayed. This cannot be considered as any regular film as the logic seemed intact in almost all the scenes and it is really difficult to find a film without any glitches especially in thriller genre. The flow was really smooth throughout the film and none of the parts were boring.
Overall verdict : If you want a decent thriller with expected twists and turns, then go for Thira. Do not expect too much cause you might be disappointed.
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Thira is a well executed thriller movie concentrating on Human Trafficking. People must know what human trafficking is and how serious is this and the entire crew presented it well in the movie. Shobana and Dhyaan acted well and Shaan's music was at its best as always. Expecting more from Vineeth in terms of Creativity in Direction and Cinematography. Hope you make the next one even more thrilling. All the best.
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Directed by Vineeth Sreenivasan, Thira tells the story of Dr. Rohini Pranab who's on a race against the clock when some of the girls she'd taken under her wing, gets abducted. Herself caught neck-deep in a conspiracy and accompanied by Naveen whose sister got abducted among the girls, the plot moves at a brisk pace from start to end.
A ravishing Shobana makes a come back in the shoes of Dr. Rohini Pranab. Shobana effortlessly plays the character which screams for an applause. From a sincere doctor, to a caring social activist and at times adorning shades of power and intimidation, Shobana does shine in her role. There was this particular scene where Rohini, amidst all the troubles she's in, returns to the hospital for a surgery. While the distinct line ain't anything new, it tremendously reminded me of a scene from Sangeeth Sivan's Nirnayam. Vineeth's sibling, Dhyan Sreenivasan, despite the initial and occasional nuances of a newcomer, stands out with a commendable débutante performance. While Deepak Parambol who played the very amiable youth communist, Manoj in Thattathin Marayath was menacing and nefarious as ever as in this one.
The visuals were all exquisitely shot and is worthy to be labeled 'grim and elegant'. While the movie had tense moments, it lost some in its second act and the chases were a little less adrenaline pumping but it served the purpose of thrilling you. Complemented by an excellent soundtrack Thira is bound to keep you on the edge of the your seat till end.
My only qualm was regarding the linguistic choice that happened throughout the movie. I take it that it was to make it accessible for a wider audience that Hindi was prominently used, but its ever too hard to digest when localites as well as other characters spoke such fluent Hindi.
Just like Vineeth's previous Thattathin Marayath, Thira doesn't break any new grounds but a Malayalam movie almost on the same page as a Hollywood thriller is something that deserves more than a clap, a standing ovation maybe? Being the first in a planned trilogy and ending in a cliffhanger, it remains to see if the sequels would pack the same punch, nonetheless Thira was an entertaining ride from start to end. I watched this just after Philips & The Monkey Pen and I am rather glad at how Malayalam movies are getting out of their banal, cozy family soap/romance couches.
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Good launch for Dhyan Srinivasan , Vineeth's brother. Dhyan has acted pretty well -no obvious mistakes.
Story does not take you back to any other movie. It is pretty original and has quite some meat in it. Situations in the movie are pretty hard thought out especially given such a young crew of makers. Lot of work and passion has gone into making the screen play.
Direction is excellent. There is hardly a dull moment in the movie. There are a few pieces here and there that don't work but as a whole , I imagine that the direction/making must have happened with complete commitment and great synergy and teamwork. Background scores and cinematography has synergized excellently.
Shobhana has done good justice to her role which essentially is that of the protagonist closest to the film maker, the one who drives the story and who gets to know what happens next first from the playwright.
It is very easy to setup a round table and question various aspects of the movie. Questions like 'how can this happen given that?' , 'that doesn't sound feasible,does it?' On the other hand, the movie predicts a lot more good movies from this team pretty soon and also hopefully real masterful movies a few tens of years down the line.
Craft has definitely improved over 'Thattaththin marayaththu'. Vineeth has definitely learned a lot more than he knew when he made 'Thattaththin marayaththu' and he has executed much much more than his earlier flick. I really love the way the young team is forming up , much like the slightly senior young directors from the Maharajas college team led by Amal Neerad/Aashiq Abu etc.
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And about Shobana ma'am, simply Wow! brilliant acting. Dhyan was also good in the movie.
The movie plot is good. Relates to current affairs
And the next remarkable thing about this movie is its background score. Awesome work by Shaan Rahman.
Well done Vineeth, expecting more from you
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Starting off with a complex, fast-paced dialog delivery b/w Shobhana and a minister, the plot gives away little as to what happens next but more as to what will happen in the second film of the trilogy which Thira is a part of. After complicating things for an average audience, it tells stories of different girls being abducted. Then new characters start barging in, like people do in clubs during happy hours. Not talking about character depth, everything in this film works with dialogs. They talk about the plight of these girls and we are supposed to visualize (great!), they talk about a journalist-cum-spy-cum-writer-cum-bachelor in cryptography-cum-hero-cum-social activist-cum-genius who paves the way and we are supposed to worship him, they say a cardiac surgeon is a brave-heart, ironically we are supposed to think she is lady God or 'Mai.' Terrible! Characters meet & dispatch and then meet again so easily in this terrible screenplay, I wonder they all use jet-packs.
After creating a web of theories, the cardiac surgeon and a nobody, played finely by Shobhana & Dhyan, carry out westward investigation and try to almost crack the case. As a result, I lost interest in the plot. What was becoming a suspense thriller turned out to be so predictable, the f-word I was talking about flashed on the screen. Music is fine and so is the art/setup/locations.
Nothing is actually displayed in this film, but told and made-believe by the characters. That is not cinema!
The minor twists failed to impress me as they were all weak in enactment and towards the end, giving hint at a sequel, the film ends abruptly like it just did a wonderful job. Catching the cold from Hollywood studios on how to make easy money by creating anticipation, Vineeth Srinivasan disappoints. Everyone who watched Thira might be eagerly waiting for the second film, but not me, because I cannot take pretentious idiots fooling around with cameras and scripts and stuff..
BOTTOM LINE: Maybe a one-time watch. Typical Malayalis may wonder over the thrills. Cinema aficionados can take a hike. 5.1/10!
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